Until early 2005, this was a print publication. Our migration to the Internet has not changed our basic approach to audio reviewing. Determining the accuracy of audio reproduction is a completely objective process. Evaluating aesthetic satisfaction derived from audio reproduction is, on the other hand, totally subjective. Critics who confuse or conflate the two are doing the consumer a great disservice and are responsible for most of the grotesque misinformation that blights today’s audio journalism. We believe in measuring and we believe in listening but we don’t believe in measuring with our ears.
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